The Rejection of Closure in poetry format...

Lyn Hejinian: The Rejection of Closure

Managing intake:
Manfestation stomach phenomenon since the worlds a'full of phenomenon -- nature of creation.
Hejinian's description of the writer's conflict :
dual desire: boundedness/coherency (in opposition to) free-unhampered access
dual desire nature inherent to creation/incarnation (and) manifestation/form in writing poetry ( ) since we see the soul and the desire to individuate
)-(creation/ incarnation (= =) manifestation/form)-(individuate or merge)-( incarnation allows for poetry and the mere thought of the possibility of
Goddess and God allow for the possibility for poetic matter of existence (and) manifestation of verbal existence. On’Course with the no form belief of Goddess and God, poetic eye in existence will radiate a reflective brilliance of light. When you close your eyes do you imagine Michael McCure and a light of one candle in the manifested creation of a personal universe deck to portray the senses within this candle lit room?
Open and closed texts:
Boundedness/cohesion (and) free un-hampered access.
“Form does not necessarily achieve closure, nor does raw materiality provide openness”.
boundedness/cohesion implies distinction between inside (and) outside
free-unhampered access hates to leave anything out
At the risk of this essay becoming closed text i will maximize my excitement to the music of the free-unhampered tramp. The form of poetry is open when for a while the characteristics of focus and direction tend to pull levers of anatomical thought without foreground. Foreground in the making. Perhaps and bag of hats to strive for cohesive surface to mount the circus camel. Spiral of thought. Many pencils. Many hats. All within a personal universe lit room.
Boundedness will lead to free-unhampered access: within umpth degree of focus. actualization, true to some possibilities, since ideally, through the experience of gatherings and evolution the happy actualized purpose – shamanic energy healer, yoga whisperer, international food co-op. Sounds like poetry, the verticalizaion meets horizontalizaion..
vertical: continuously becomming (and) horizontal: building on experiences, always learning, adding to in combinationary effect. Life should be continuously becoming. Dreamtime means the totality of experiences should contribute to the larger purpose,
poetry is path.
cohesion within continuous becoming.
A master at living out the desires of the soul will find exact cohesion in writing.
Laws of syntax are to writing as natural and karmic laws are to living (animate and inanimate life).
It's usually good to assimilate into society to some extent:
Q: "Can form make the primary chaos articulate without depriving it of its capacious
vitality, its generative power?"
A: We show the will of generative creative power in our vital capaciousity for life channelable through poetry.
Unconditional words.
"Man is a curious body whose center of gravity is not in himself [yet in language]"
Language= useful for navegating the now river and eternal flow of unhindered experience. Language= useful for the alchemical conduition of the moon flow of water in the formulation of word combinations applicable to mental function.
Rapids= poetry transmitted telepathically.
Rapids= mental application of experience transfused in alchemical union to the eternal flow of water as regulated by Earth's moon.
The spatial and temporal properties of language are continuous -- Where are the words in relation to the others? How does the word relate to the world around? A systematic form to allow individualized examination of the totality of existence.
-Isa 5.26.07